James
De la Rue was commissioned to illustrate
the newly abridged version of Around
the World in Eighty Days
aimed at younger readers.
Originally from Guernsey, James studied
illustration at the University of the West
of England, Bristol and now lives in Nottingham.
A short interview with James:
How did
you start off in illustration?
I first attended UWE for my art foundation,
during which I discovered I wanted to do
an illustration degree. Ian McCullough's
course looked very good so I saw no reason
to search elsewhere.
Was it hard work starting out in your field?
Since graduating in 2000 I stacked shelves
in Bristol whilst trying to establish myself,
but I ended up going back to Guernsey to
do something completely different, which
was exactly what I needed. I picked up my
pencil again at the end of 2004.
How did
you tackle the Around
the World in Eighty Days
book?
With my approach to Around
the World in Eighty Days
I did my best not to be influenced by previous
versions and just tried to eke out something
appropriate, with the right atmosphere.
I'm only happy with a piece of work when
I know I'm not copying anyone else. For
research I followed the original text, of
course, and was thankful for the existence
of image search engines on the web, which
prove endlessly helpful!
Did you
enjoy working on the Great Reading Adventure?
I love the idea of the Great Reading Adventure,
and the fact that it seems to be growing
so fast every year. I hope it encourages
people to read to each other more, which
is more fun than you might think. Switch
the telly off!
Which
illustrators have inspired you?
Illustrators who have inspired me include
Edward Gorey, Satoshi Kitamura and David
Hughes.
Do you have a favourite children's illustrated
book?
When I was little my favourite book was
"Cops & Robbers" by Janet
and Allan Ahlberg (I'd repeatedly copy the
'section' view of the police station). More
recently "Sheep in Wolves' Clothing"
by Satoshi Kitamura is up there with the
best.
What challenges do you face in illustrating
a text?
When illustrating text it's important to
achieve a balance between being faithful
to the author's descriptions and avoiding
getting bogged down in
every last detail they've written. The pictures
you're making are meant to compliment, not
replace, their efforts. Another challenge
is to keep continuity, particularly with
a character's appearance. One dodgy eyebrow
and you'd swear you've never seen them before.
[www.jamesdelarue.co.uk]
Visit [www.uwe.ac.uk]
to find out more about the BA (Hons) in
Illustration - (choose courses, art and
design and search for keyword ‘illustration’)
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